One of the things that I like about the 50mm is that it forces me to frame a shot before I take it which is in opposition of how I’ve worked with the 17-85mm where I would shoot and then look for the composition after the fact. this photography pushed me a little further into post work where desaturated the image quite a bit then crushed the blacks heavily (Thanks Jon for teaching me this term!). It is one of my favorite photos for the way that the light and shadows work together and that the concentration on Gabi’s face is still visible.